About
Who runs カエルフェスティバル, what the blog covers, how articles are researched and checked, and how to reach the people who write them.
カエルフェスティバル publishes when there is something to publish. There is no schedule and no filler, and every piece stays in the archive even after we have changed our minds about it.
There was no plan. 霧島 颯太 kept being asked the same handful of questions about ゲームとガジェットのレビューブログ, got tired of writing the same reply, and put the replies somewhere permanent.
You can see who wrote what, and you can see everything else they wrote. That is deliberate, because it makes a bad article expensive for the person who wrote it.
霧島 颯太, 編集長・RPG担当. RPGを中心に年間50本以上を遊ぶ会社員ゲーマー。長く遊んだからこそ分かる良い点と悪い点を書いています。
花澤 芽衣, フィットネスゲーム担当. リングフィットとFit Boxingで運動を続けている在宅ワーカー。続けるコツを記録しています。
岡部 蓮, ガジェット担当. キーボードやSwitch周辺機器を自腹で買って試すのが趣味。使ってわかったことだけを書きます。
We are not the right place for advice tailored to your exact situation. カエルフェスティバル publishes general guidance, and the difference matters more than it sounds.
The method is dull and it works. Explain what happens, explain what it costs, explain what can go wrong, then stop writing.
We keep the commercial side visible. Some outbound links earn us money, and that never buys a change to the text around them.
If you want the mechanics rather than the summary, the editorial policy has them, including what we refuse to publish.
One article, one topic. It keeps the category pages usable, and in practice ゲーム, switch and rpg are where most readers end up.
Point at the sentence. Write to [email protected] or use the contact page. Factual errors are fixed quickly, and when a correction changes the conclusion of a piece we say so at the foot of the page rather than editing quietly.
